In Bottommost (2026), Emile and Baco approach vulnerability as a playground, where failure becomes a raw material for wayward performances of pleasure and paradox. Bottommost finds value at the bottom of the barrel. Sinking into fragility and decline, they dig a choreographic hole where degradation leads to learning and becoming. With its rough companionship and a tenderness beneath sharp claws, a complicity emerges through submission. In a back-and-forth between desire and failure, instinct and listening, they reframe what it means to hit rock bottom; they summons the wild energy of dogs to invite us to open outwards, and inhabit what might otherwise seem abject
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